WMST 100-01. Introduction to Women's Studies. Fall 2018.
Professor Lara Blanchard
tel: x3893
Art & Architecture Department, 208 Houghton House

Lectures: MWF 10:10-11:05am, 112 Houghton House
Office hours: Mondays 11:15am–12:45pm, Fridays 1:15–2:45pm, or by appointment, 208 Houghton House

 

Course description:
This course introduces the vast, complex, changing field of women’s studies. Students will be asked to become conversant with the history of feminism and women's movements (nationally and transnationally), to understand and theorize women and gender as categories of analysis, to think through differences that divide and unite, to reflect and move beyond individual experience and to connect feminism to everyday life. Students will be encouraged to raise their own questions about women, gender, feminism(s), modes of women's organizing, and the production of knowledge. While it is impossible to cover all pertinent topics in one semester, this course introduces various specific issues and histories that, taken together, highlight the complexity of Women's Studies as both scholarly endeavor and activist field. It addresses three of the aspirational goals of the curriculum: a critical understanding of social inequalities (substantially), a critical understanding of cultural difference (partially), and an intellectual foundation for ethical judgment as a basis for socially responsible action (partially).

 

Learning objectives:
One objective is for students to gain practical skills useful in any humanistic discipline, including how to analyze texts, how to do research, and improved proficiency in writing. More conceptual learning objectives include understanding how women and gender as categories of analysis intersect with history, politics, religion, society, and culture.

 

Required books (all on reserve at the Library):

  • Freedman, Estelle B. No Turning Back: The History of Feminism and the Future of Women. New York: Ballantine Books, 2002.
  • Ehrenreich, Barbara, and Arlie Russell Hochschild, eds. Global Woman: Nannies, Maids, and Sex Workers in the New Economy. New York: Metropolitan Books/Henry Holt and Company, 2002.
  • Woolf, Virginia. A Room of One’s Own. Reprint. Orlando, Fl.: A Harvest Book, 1989.
  • Rankine, Claudia. Citizen: An American Lyric. Minneapolis, Minn.: Graywolf Press, 2014.

 

Weekly schedule:

DEFINING TERMS: WOMEN’S STUDIES, FEMINISM(S), PATRIARCHY, WOMEN'S RIGHTS.

Aug. 27 (M).    Overview of the course.

Aug. 29 (W).    What is women’s studies?

  • Jean Fox O’Barr, “The Necessity of Women’s Studies in a Liberal Arts Education,” in Feminism in Action: Building Institutions and Community through Women’s Studies (Chapel Hill: The University of North Carolina Press, 1994), 85–93.

Aug. 31 (F).     What is feminism?

Sept. 3 (M).      What is patriarchy?

Sept. 5 (W).     Virtue and patriarchy in different cultures: two case studies.

  • Patricia Buckley Ebrey, trans., “The Book of Filial Piety for Women Attributed to a Woman Née Zheng (ca. 730),” in Under Confucian Eyes: Writings on Gender in Chinese History, ed. Susan Mann and Yu-Yin Cheng (Berkeley, Los Angeles, and London: University of California Press, 2001), 47–69.
  • Pat Boone, “The Happy Home Corporation,” chapter 5 in ‘Twixt Twelve and Twenty (New York: Dell, 1960), 79–91.

Sept. 7 (F).       Women’s rights.

IDENTITY POLITICS: RACE AND ETHNICITY, RELIGION, NATION.

Sept. 10 (M).    Race and American feminism.

Sept. 12 (W).   Race and American feminism: women’s voices.

  • Rankine, Citizen, I, 5–18.

Sept. 14 (F).     Race and sexual identity.

  • Cheryl Clarke, “Lesbianism: An Act of Resistance,” in This Bridge Called My Back: Writings by Radical Women of Color, ed. Cherrie Moraga and Gloria Anzaldúa (Watertown, Mass.: Persephone Press, 1981), 128–37.

Sept. 17 (M).    International feminisms.

  • Freedman, “The Global Stage and the Politics of Location,” chapter 5 in No Turning Back, 95–119.
  • Gloria Anzaldúa, “Speaking in Tongues: A Letter to 3rd World Women Writers,” in Moraga and Anzaldúa, This Bridge Called My Back, 165–73.

Sept. 19 (W).   Gender, religion, culture, and identity: the veil.

  • Marjane Satrapi, “The Veil,” in Persepolis: The Story of a Childhood (New York: Pantheon Books, 2003), 3–9.
  • Sarah C. Bell, “Nubo: The Wedding Veil,” in The Veil: Women Writers on Its History, Lore, and Politics, ed. Jennifer Heath (Berkeley, Los Angeles, and London: University of California Press, 2008), 171–73.
  • Aisha Lee Fox Shaheed, “Dress Codes and Modes: How Islamic Is the Veil?” in Heath, The Veil, 290–306.
WOMEN’S LABOR AND GLOBALIZATION.

Sept. 21 (F).     Domestic labor.

  • Freedman, “Never Done: Women’s Domestic Labor,” chapter 6 in No Turning Back, 123–44.
  • Barbara Ehrenreich, “Maid to Order,” in Ehrenreich and Hochschild, Global Woman, 85–103.

Sept. 24 (M).    Gender and economics.

  • Freedman, “Industrialization, Wage Labor, and the Economic Gender Gap,” chapter 7 in No Turning Back, 145–69.
  • SHORT RESEARCH REPORT: GENDER AND WORK, PART 1 due.

Sept. 26 (W).   Gender, work, and family: social policies.

  • Freedman, “Workers and Mothers: Feminist Social Policies,” chapter 8 in No Turning Back, 170–99.
  • Susan Cheever, “The Nanny Dilemma,” in Ehrenreich and Hochschild, Global Woman, 31–38.

Sept. 28 (F).     Gender, work, and family: child care.

  • Arlie Russell Hochschild, “Love and Gold,” in Ehrenreich and Hochschild, Global Woman, 15–30.
  • Pierrette Hondagneu-Sotelo, “Blowups and Other Unhappy Endings,” in Ehrenreich and Hochschild, Global Woman, 55–69.
  • SHORT RESEARCH REPORT: GENDER AND WORK, PART 2 due.

Oct. 1 (M).Women as migrant workers.

  • Nicole Constable, “Filipina Workers in Hong Kong Homes: Household Rules and Relations,” Ehrenreich and Hochschild, Global Woman, 115–41.
  • Joy M. Zarembka, “America’s Dirty Work: Migrant Maids and Modern-Day Slavery,” in Ehrenreich and Hochschild, Global Woman, 142–53.

BODY POLITICS: HEALTH, BEAUTY, SPORTS, REPRODUCTION, SEX, VIOLENCE.

Oct. 3 (W).Health and disability.

  • Freedman, “Medicine, Markets, and the Female Body,” chapter 9 in No Turning Back, 203–28.

Oct. 5 (F).Health, beauty, and size.

[Fall Recess, Oct. 6–9]

Oct. 10 (W).     Beauty and race in America.

  • Gerald Early, “Life with Daughters: Watching the Miss America Pageant,” The Kenyon Review, n.s., 12, no. 4 (Autumn 1990): 132–45.

Oct. 12 (F).      Women and sports.

Oct. 15 (M).     Reproduction in the U.S.: history and policies.

  • Freedman, “Reproduction: The Politics of Choice,” chapter 10 in No Turning Back, 229–52.
  • SHORT RESEARCH REPORT: REPRODUCTION due.

Oct. 17 (W).     Reproduction: women’s voices.

Oct. 19 (F).      Sexuality and self-determination.

  • Freedman, “Sexualities, Identities, and Self-Determination,” chapter 11 in No Turning Back, 253–75.

Oct. 22 (M).     Sex-positive feminism: women’s voices.

  • Rebecca Walker, “Lusting for Freedom,” in Findlen, Listen Up, 19–24.
  • Lisa Palac, “How Dirty Pictures Changed My Life,” in Next: Young American Writers on the New Generation, ed. Eric Liu (New York and London: W. W. Norton & Company, 1994), 146–63.

Oct. 24 (W).     Sex work.

  • Alexandra Lutnick and Deborah Cohan, “Criminalization, Legalization or Decriminalization of Sex Work: What Female Sex Workers Say in San Francisco, USA,” Reproductive Health Matters: An International Journal on Sexual and Reproductive Health and Rights 17 (2009): 38–46.
  • Denise Brennan, “Selling Sex for Visas: Sex Tourism as a Stepping-stone to International Migration,” in Ehrenreich and Hochschild, Global Woman, 154–68.

Oct. 26 (F).      Film: Sut Jhally, dir., Killing Us Softly 4: Advertising’s Image of Women (Northampton, Mass.: Media Education Foundation, 2010).

Oct. 29 (M).     Gender and violence.

  • Freedman, “Gender and Violence,” chapter 12 in No Turning Back, 276–302.

Oct. 31 (W).     Sexual harassment and the #MeToo movement.

Nov. 2 (F).       Rape.

WOMEN AND CREATIVITY.

Nov. 5 (M).      Creativity and feminism.

  • Freedman, “New Words and Images: Women’s Creativity as Feminist Practice,” chapter 13 in No Turning Back, 305–25.

Nov. 7 (W).     Creativity and work: tour of Davis Gallery.

  • (Start reading Woolf, A Room of One’s Own, vii–xiv, 3–114.)

Nov. 9 (F).       NO CLASS.

Nov. 12 (M).    Women as writers.

  • Woolf, A Room of One’s Own, vii–xiv, 3–114.

Nov. 14 (W).   Women as visual artists.

  • Carol Snyder, “Reading the Language of The Dinner Party,” Woman’s Art Journal 1, no. 2 (Autumn 1980–Winter 1981): 30–34.

Nov. 16 (F).     Women and crafting.

  • Floris Barnett Cash, “Kinship and Quilting: An Examination of an African-American Tradition,” The Journal of Negro History 80, no. 1 (Winter 1995): 30–41.

[Thanksgiving Recess, Nov. 19–23]

Nov. 26 (M).    Women and music.

  • Kevin Dunn, “Pussy Rioting: The Nine Lives of the Riot Grrrl Revolution,” International Feminist Journal of Politics 16, no. 1 (2014): 317–34.
  • Melissa Harris-Perry, “A Call and Response with Melissa Harris-Perry: The Pain and the Power of ‘Lemonade,’ Elle, Apr. 26, 2016, https://www.elle.com/culture/music/a35903/lemonade-call-and-response.

POLITICS AND ACTIVISM.

Nov. 28 (W).   Women and politics.

  • Freedman, “No Turning Back: Women and Politics,” chapter 14 in No Turning Back, 326–47.

Nov. 30 (F).     Hillary Clinton’s presidential campaign.

Dec. 3 (M).      Activism and empowerment.

  • Frida Kahlo and Kathe Kollwitz, “Transgressive Techniques of the Guerrilla Girls,” Getty Research Journal no. 2 (2010): 203–8.
  • Kevin Dunn and May Summer Farnsworth, “‘We ARE the Revolution’: Riot Grrrl Press, Girl Empowerment, and DIY Self-Publishing,” Women’s Studies 41, no. 2 (2012): 136–57, especially pp. 146–56.

Dec. 5 (W).      Citizen and politics.

  • Rankine, Citizen, VI, 81–135.

Dec. 7 (F).       Advocating for change.

  • Erica Gilbert-Levin, “Class Feminist,” in Findlen, Listen Up, 165–72.
  • Angela Y. Davis, “Justice for Lesbian, Gay, Bisexual, and Transgender Communities” and “Difficult Dialogues,” in The Meaning of Freedom and Other Difficult Dialogues (San Francisco: City Lights Books, 2012).

Dec. 10 (M).    Conclusions.

Dec. 18 (Tu).   SECOND TEST due, 10:00pm.


Communications:
I am happy to meet with you outside of class during my office hours (see top of syllabus), or at another time that is convenient for you, in 208 Houghton House. The best way to reach me to set up an appointment is by e-mail, but please note that I regularly read e-mail only between 9:00am and 4:30pm.
If I need to contact students, I generally will do so via HWS e-mail and Announcements on Canvas (see Websites below). You should develop the habit of checking both on a regular basis.

 

Attendance policy:
I consider attendance at lectures to be mandatory. That said, if you have a reasonable excuse for missing a class (including celebration of a religious holiday, athletic participation, a field trip for a different course, or illness), I expect you to notify me as soon as possible—preferably in advance—and to turn in a one- to two-page essay on the topics covered on the day of your absence, within a week of your return to class. Not doing so will directly impact your participation grade. If you are absent four times or more, you should be prepared for me to notify the Deans about your performance. I will be taking attendance regularly.

Course requirements:

1.        Class participation (20%). This includes regular and punctual attendance (see Attendance policy below) and participating in discussions in class or on the Canvas discussion board. I grade participation on a daily basis, as follows: check-plus-plus (95) for thoughtful commentary in class or on the discussion board that is analytical in nature or synthesizes material from readings and/or other classes; check-plus (85) for speaking up in class or on the discussion board on a topic relevant to the course material (even to ask a question or to answer one of my questions incorrectly); check (75) for showing up to class but not speaking; check-minus (65) for not paying attention, coming in late, or being disruptive or disrespectful; zero (0) for not coming to class at all.

2.         Short research reports (25%). These should be 300–600 words in length. More details to follow.

3.         Response papers (15%). You will be required to attend and write responses to at least three (3) gender-related “events” (speakers, films, performances, actions, readings, etc.) before the end of the term. More details to follow.

4.         First test (20%), due Friday, Oct. 26. This is a take-home test covering material through Monday, Oct. 15.

5.         Second test (20%), due Tuesday, Dec. 18, 10:00pm. This is a take-home test covering material from Wednesday, Oct. 17 through Monday, Dec. 10.

 

Format for written work:
Please follow these guidelines when you write your papers and tests.

1. Type all work in a 12-point font.
2. Double-space.
3. Leave one-inch margins on all sides.
4. Number your pages.
5. Put your name and the date on the first page.
6. Check that your spelling, grammar, and punctuation are correct--these are crucial to effective communication of your ideas. Your grade will drop if you have excessive errors.
7. If you cite another source, you must use a.) parenthetical references or footnotes, and b.) a list of works cited. (See A note about cheating and plagiarism below.) Make sure that you follow an appropriate documentation style: I recommend Chicago-style, MLA, or APA.

You can submit written work via Canvas. Please upload a Microsoft Word document (.doc, .docx), Rich Text Format file (.rtf), or a Portable Document Format file (.pdf): these are the only formats that Canvas will accept. Alternatively, you can turn in a stapled hard copy during the class period. PLEASE NOTE: I do not accept papers via e-mail.

 

A note about cheating and plagiarism:
I will not tolerate any form of academic dishonesty. It destroys the trust that I have in you to do your best, it is unfair to the other students, and you will not learn anything if you resort to cheating. If I find that you have cheated on a test or on a written assignment, you will receive a zero for the assignment and I will contact the Deans and/or the Committee on Standards about your case. If a case goes to the Committee on Standards, I follow the Committee's recommendation; if it also finds evidence of cheating or plagiarism, the recommendation is usually failure of the course at a minimum.

In accordance with the Colleges’ Principle of Academic Integrity and General Academic Regulations (http://www.hws.edu/catalogue/policies.aspx) and the Handbook of Community Standards (http://www.hws.edu/studentlife/pdf/community_standards.pdf), p. 15, I define cheating as giving or receiving assistance on any assignment for this course, including all paper assignments and tests, except as directly authorized by me. The Colleges define plagiarism as “the presentation or reproduction of ideas, words, or statements of another person as one’s own, without due acknowledgment.” In application, this means that in all assignments, you need to cite your sources. When quoting directly from a text—say, five words or more in succession—you need to put those words in quotation marks and include a parenthetical reference or footnote citing the source. When rewriting a passage from a text in your own words, you don’t need the quotation marks but you do still need the parenthetical reference or footnote. In addition, all sources that you cite need to be included in a list of works cited at the end of the assignment. If you don’t understand exactly what constitutes plagiarism, or how to use parenthetical references or footnotes, please ask me. I would prefer to explain what it is and how to avoid it before it happens rather than after.

 

Grading:
Tests receive numerical grades. Class participation, response papers, short research reports, and make-up written assignments will receive a check-plus-plus (95), check-plus (85), check (75), check-minus (65), or zero (0). If you are unsatisfied with a grade, please prepare a written statement explaining what grade you think you should have received and why, and submit it to me along with the assignment for review.

I mark down three points for each calendar day that an assignment is late. If you think you will need an extension, you should talk to me as early as possible before the assignment is due..

My grading scale is as follows:

 

 

A+  97-100

A  93-97

A-  90-93

 

 

B+  87-90

B  83-87

B-  80-83

 

 

C+  77-80

C  73-77

C-  70-73

 

 

D+  67-70

D  63-67

D-  60-63

 

 

 

F  0-60

 

 

The Center for Teaching and Learning (CTL):
At Hobart and William Smith Colleges, we encourage you to learn collaboratively and to seek the resources that will enable you to succeed. The Center for Teaching and Learning (CTL) is one of those resources: CTL programs and staff help you engage with your learning, accomplish the tasks before you, enhance your thinking and skills, and empower you to do your best. Resources at CTL are many: Teaching Fellows provide content support in twelve departments, Study Mentors help you manage your time and responsibilities, Writing Fellows help you think well on paper, and professional staff members help you assess academic needs.

I encourage you to explore these and other CTL resources designed to encourage your very best work. You can talk with me about these resources, visit the CTL office on the 2nd floor of the library to discuss options with the staff, or visit the CTL website at http://www.hws.edu/academics/ctl/index.aspx.

 

Disability accommodations:
If you are a student with a disability for which you may need accommodations, you should self-identify, provide appropriate documentation of your disability, and register with Disability Services at the Center for Teaching and Learning (CTL). Disability-related accommodations and services generally will not be provided until the registration and documentation process is complete. The guidelines for documenting disabilities can be found at the following website: http://www.hws.edu/academics/ctl/disability_services.aspx.

Please direct questions about this process or disability services at HWS to Christen Davis, Coordinator of Disability Services, at ctl@hws.edu or x3351.

 

Websites:
There are two websites for this course: one at my homepage, http://people.hws.edu/blanchard/WMST100/; and one at Canvas, https://canvas.hws.edu/. This syllabus, written assignments, and links to online resources for women's studies can be found at both. The Canvas site also has a course calendar, daily handouts, discussions, and an online gradebook; I plan to post other relevant materialsthere as well.

To use Canvas, log in with your campus username and password. Once you have logged in, you should see, at the left of the screen, a link for Courses you are enrolled in, as well as links for your Account, Dashboard, Calendar, Inbox, Commons, and Help.

It is essential for you to get in the habit of logging into Canvas regularly, as one way I will communicate with the class is via Canvas announcements, and I will post assignments and other course materials there. If you click on the Account link and then on Settings, you can set up Canvas to notify your e-mail or your cell phone about recent activity. I strongly recommend that you set Canvas to send you notifications of announcements ASAP.

For further assistance with Canvas, click on the Help link at the bottom left, and then on “Canvas Resources for Students.” You should look for the relatively short Quick Reference Guides (https://community.canvaslms.com/community/answers/guides/canvas-guide/getting-started/pages/student), the more thorough Canvas Student Guide (https://community.canvaslms.com/docs/DOC-10701), and—for visually oriented people—the Video Guide (https://community.canvaslms.com/community/answers/guides/video-guide). Alternatively, contact the Help Desk of Instructional Technology at x4357 or helpdesk@hws.edu. The Help Desk is located in the Library on the first floor in the Rosensweig Learning Commons and is staffed by students as follows: until 1:00am Sunday through Thursday, and until 11:00pm on Friday and Saturday.