Lara C. W. Blanchard (魏嘉麗)
Luce Professor of East Asian Art

Art & Architecture Department (Art History)
Hobart and William Smith Colleges
Houghton House 208 * Geneva, New York 14456
tel: 315.781.3893 * fax: 315.781.3689 *

 





Education

2001 Ph.D. University of Michigan at Ann Arbor (History of Art)
1992 A.M. University of Michigan at Ann Arbor (History of Art)
1988 B.A. College of William and Mary (Art History, Mathematics)




Academic Appointments and Affiliations
2017- Luce Professor of East Asian Art, Art & Architecture Department, Hobart and William Smith Colleges, Geneva, New York
2008-17 Luce Associate Professor of East Asian Art, Art & Architecture Department, Hobart and William Smith Colleges, Geneva, New York
2002- Associate in Research, East Asia Program, Cornell University, Ithaca, New York
2001-2008 Henry Luce Assistant Professor of East Asian Art, Art Department, Hobart and William Smith Colleges, Geneva, New York


About my writing 
Asia Now, "#AsiaNow Speaks with Lara C. W. Blanchard," Association for Asian Studies, Apr. 27, 2020
Asia Now, AAS 2020 Prizes, Association for Asian Studies, Feb. 14, 2020
Lucien Ellington, "An EAA Interview with the 2016 Franklin R. Buchanan Prizewinners Dorinda Neave, Lara C. W. Blanchard, and Marika Sardar for Asian Art," Education about Asia: Online Archives (Winter 2016)


 

Fall 2024 Schedule
Office hours: Mondays 1:30–3:00pm, Thursdays 10:15am–11:45am, or by appointment
FSEM 108
From Comix to Graphix: The Art of Story
TuTh 8:40–10:10am

ARTH 209
Chinese Pictures: 1000 Years
MWF 10:50–11:50am

 

Spring 2025 Schedule
Office hours: TBA, or by appointment
ARTH/ASN 103
Introduction to Asian Art

ARTH 212
Arts of Modern China

ARTH 253
Buddhist Art & Architecture

 

Teaching Interests
FSEM 047 Art + Ideas + East + West (co-taught with Professor Michael Tinkler)

FSEM 108 From Comix to Graphix (sometimes co-taught with Professor Anna Creadick)
ARTH/ASN 103
Introduction to Asian Art (cross-listed in Asian Studies and Media & Society)
WMST 100 Introduction to Women's Studies

ARTH 209 Chinese Pictures: 1000 Years (cross-listed in Asian Studies)
ARTH 210 Women Artists in Europe and Asia, 1300–1750 (cross-listed in Asian Studies,  European Studies, and
Women's Studies)
ARTH 212 Arts of Modern China (cross-listed in Asian Studies)
ARTH 252 Japanese Art & Culture (cross-listed in Architectural Studies, Asian Studies, and Media & Society)
ARTH 253 Buddhist Art & Architecture (cross-listed in Architectural Studies, Asian Studies, and Media & Society)
ARTH 303/403 Gender & Painting in China (cross-listed in Asian Studies, Media & Society, and Women's Studies)
ARTH 306/406/506
Telling Tales: Narrative in Asian Art (cross-listed in Asian Studies, Media & Society, and Women's Studies; offered for credit in M.A.T. program in Educational Studies)
ARTH 336/436 Arts of the Landscape and the Garden in China and Japan, a.k.a. Landscapes & Gardens (cross-listed in Architectural Studies, Asian Studies, and Environmental Studies)
ASN 304/504 Courtesan Culture in China and Japan (cross-listed in Art History and Women's Studies; offered for credit in M.A.T. program in Educational Studies)




Selected Publications

Blanchard, Lara C. W. “Virtue and Women's Authorship in Chinese Art History: A Study of Yutai huashi (History of Painting from Jade Terrace).” In “Rethinking Authorship and Agency: Women and Gender in Late Imperial China,” edited by Grace S. Fong and Guojun Wang. Special issue, Journal of Chinese Literature and Culture 10, no. 1 (April 2023): 221–43. Blanchard, Lara C. W. “Defining a Female Subjectivity: Gendered Gazes and Feminist Reinterpretations in the Art of Cui Xiuwen and Yu Hong.” In “(En)gendering: Chinese Women’s Art in the Making,” edited by Shuqin Cui. Special issue, positions: asia critique 28, no. 1 (February 2020): 177–205.
       
Blanchard, Lara C. W. “Gender in Chinese Art.” In Grove Art Online, edited by Sonya Lee. Oxford Art Online (December 2019). Wei Jiali 魏嘉丽 [Lara C. W. Blanchard.] “Huizong de xin yi—‘Dao lian tu’ zhong de yuwang yu yuyan 徽宗的新衣——⟪捣练图⟫中的欲望与寓言.” For the Chinese National Academy of Arts, Haiwai Zhongguo yishushi yanjiu 海外中国艺术史研究, vol. 1, edited by Niu Kecheng 牛克诚 (Changsha: Hunan meishu chubanshe, 2018), 65–83.
       
Blanchard, Lara C. W. Song Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry. Women and Gender in China Studies, no. 10. Leiden: Brill, 2018.

[Winner of the 2020 Joseph Levenson Pre-1900 Book Prize (China), The Association for Asian Studies.]

Chiem, Kristen L., and Lara C. W. Blanchard, eds. Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th-20th Centuries. Gendering the Trans-Pacific World, no. 2. Leiden: Brill, 2017.
       

 

Blanchard, Lara C. W. “Imagining Du Liniang in The Peony Pavilion: Female Painters, Self-portraiture, and Paintings of Beautiful Women in Late Ming China.” In Women, Gender and Art in Asia, c. 1500-1900, edited by Melia Belli Bose, 125–46. London and New York: Routledge, 2016.

 

Neave, Dorinda, Lara C. W. Blanchard, and Marika Sardar. Asian Art. 1st ed. Upper Saddle River, N.J.: Pearson, 2015.

[Winner of the 2016 Franklin R. Buchanan Prize for Asia Curriculum Materials, The Association for Asian Studies.]

 

 

   

 

Blanchard, Lara C. W. “Mou Yi’s Pounding Cloth: Painting, Play, Reference, and Discourse in Song China.” Artibus Asiae 73, no. 2 (2013): 295–341.

 

Blanchard, Lara C. W., and Kara J. Kenney. “Traces of Collaboration: Empress Yang’s Captions for Xia Gui’s Twelve Views of Landscape.” Critical Matrix: The Princeton Journal of Women, Gender and Culture 18 (Fall 2009): 6–33.
 

 

   
Blanchard, Lara C. W. “Huizong’s New Clothes: Desire and Allegory in Court Ladies Preparing Newly Woven Silk.” Ars Orientalis 36 (2006): 111–35.
     
Blanchard, Lara Caroline Williams. “Visualizing Love and Longing in Song Dynasty Paintings of Women.” Ph.D. diss., University of Michigan, 2001.
Blanchard, Lara C. W. “Lonely Women and the Absent Man: The Masculine Landscape as Metaphor in the Song Dynasty Painting of Women.” In Gendered Landscapes: An Interdisciplinary Exploration of Past Place and Space, edited by Bonj Szczygiel, Josephine Carubia and Lorraine Dowler, 33–47. University Park, Pa.: The Center for Studies in Landscape History, The Pennsylvania State University, 2000. 


Conferences, Symposia & Lectures
"The Women Artists of the Banana Garden Poetry Club: Text-Images Exchanges, Friendship, Family, and Identity in Seventeenth-Century China," for the Graduate Students in the History of Art (GSHA), Diversity, Equity, Accessibility, and Inclusion (DEAI) committee's lecture series Intersections of Identity: Expression, Exchange, and Hybridity, The Kress Foundation Department of Art History, The University of Kansas, Lawrence, Ks. (via Zoom, 20 April 2023).

Discussant, Panel: Patronage. For Gender and Buddhist Art in Asia: Embodiment, Patronage, and the Sacred, Collective on Gender, Religion, and the Arts of Asia Inaugural Symposium, Harvard University, Cambridge, Mass. (via Zoom, 2–3 June 2022).

"Song Dynasty Figures of Longing and Desire." For the East Asian Humanities Workshop, Department of East Asian Languages and Cultures. East Asia Library Room 338, Stanford University, Stanford, Calif. (19 May 2022).

"Making Images of Feelings: Interiority, Passion, and Meaning in Song Dynasty Paintings of Women." 2021 K. S. Lo Memorial Lecture, Oriental Ceramic Society of Hong Kong, https://youtu.be/vb9n0KnCSMQ. (22 March 2022).

Co-chair and co-discussant for the panel Enchanted by Nature: Picturing Gendered Plants and Female Agency in Europe and China, with Dr. Kirstin Ringelberg. College Art Association 110th Annual Conference, Chicago, Ill. (17 February 2022).

"Silk, Love, Politics, and Gender in a Twelfth-Century Chinese Painting: A Closer Look at Court Ladies Preparing Newly Woven Silk." For Virtual Reunion 2021, Hobart and William Smith Colleges, Geneva, New York. (4 June 2021)

"Women as Collators in Chinese Art History: Some Notes on Reading Tang Shuyu’s Jade Terrace History of Painting." For the panel Of and By the Women. Art, History, and Sinology: An International Conference in Honor of Martin J. Powers, Weiser Hall, The University of Michigan, 500 Church St., Ann Arbor, Michigan. (9 November 2018)

"Women Envisioning Women in Contemporary China: Subjectivity, Objectification, and the Problem of Authenticity in Art." For the Truth: 2018–19 lecture series, University Center for the Humanities, Western Michigan University. Kalamazoo Institute of Arts, 314 S. Park St., Kalamazoo, Michigan. (8 November 2018)

Chair for the panel Storytelling. New York Conference on Asian Studies (NYCAS) 2017, Hobart and William Smith Colleges, Geneva, N.Y.

“Playing on the Concept of Women's Work: Silk as Gendered Medium in the Art of Yu Hong.”For the panel Women, Labor, and Textiles in Contemporary Asian Art. 2016 Association for Asian Studies Annual Conference, Seattle, Wash. (31 March 2016)

"Reclaiming Female Subjectivity: Images of Women, Past and Present, in the Art of Cui Xiuwen and Yu Hong." For the panel Tradition and Modernity. Female Embodiment of the Visual World: Women's Art in Contemporary China, Hong Kong, and Taiwan, Bowdoin College, Brunswick, Me. (28 September 2013)

“Rethinking Male-Authored Images of Women: Feminism and the Gaze in the Work of Two Contemporary Chinese Artists.” Friday Faculty Lunch Series, Hobart and William Smith Colleges, Geneva, N.Y. (30 August 2013)

"Interiority and Surface, Gender and Performance: Mirrors and Makeup in Song Dynasty Painting and Poetry." For the panel Rhetorics of Eroticism in Chinese Art and Literature, Song to Ming. 64th Annual Meeting of the Association for Asian Studies, Toronto, Ont. (17 March 2012)

“Mirrors, Makeup, and Meaning in Song Dynasty Painting and Poetry.” Friday Faculty Lunch Series, Hobart and William Smith Colleges, Geneva, N.Y. (9 March 2012)

"Four Courtesans," Asian Student Union, Comstock Dining Hall, Hobart and William Smith Colleges, Geneva, N.Y. (19 September 2009)

"Asian Landscapes and Art," Environmental Studies Summer Youth Institute, Hobart and William Smith Colleges, Geneva, N.Y. (16 July 2009)

Discussant for the panel Redrawing the Map: Displacement and Geography in Song-Yuan Literary and Visual Discourses. The Thirteenth Asian Studies Conference Japan, Sophia University, Tokyo, Japan. (20–21 June 2009)

"Rinpa School Painting and the Yamato-e Tradition," for the Corning-Kakegawa Committee of the Sister Cities Association, 171 Cedar Arts Center, Corning, N.Y. (10 May 2009)

"Gardens for Strolling and Contemplation in Kyōto," for the Corning-Kakegawa Committee of the Sister Cities Association, Southeast Steuben County Library, Corning, N.Y. (26 July 2008)

"Images of Nature," Environmental Studies Summer Youth Institute, Hobart and William Smith Colleges, Geneva, N.Y. (18 July 2007, 16 July 2008)

“The Emperor’s New Clothes: Desire and Politics in Huizong’s Court Ladies Preparing Newly Woven Silk.” For the panel What Is Not-So-Ordinary about the Ordinary: Decoding the Social and Political Rhetoric behind Early Modern Chinese Imagery, 59th Annual Meeting of the Association for Asian Studies, Boston, Mass. (22–25 March 2007).

“Desire and Politics in Emperor Huizong’s Court Ladies Preparing Newly Woven Silk, ca. 1100-25.” Friday Faculty Lunch Series, Hobart and William Smith Colleges, Geneva, N.Y. (2 March 2007)

"Picturing Femininity in China and Japan," A Weekend of Workshops for Asia Scholars, Hobart and William Smith Colleges, Geneva, N.Y. (2–3 February 2007)

"Introduction to Chinese Art, " Learning and Teaching about Asia, HWS Asia Teaching Partnership and Wayne-Finger Lakes Teacher Resource Center, Hobart and William Smith Colleges, Geneva, N.Y. (9 December 2006)

"Landscapes for Travel, Sightseeing, Wandering, and Life: Chinese and Japanese Paintings, Prints, and Gardens," Environmental Studies Summer Youth Institute, Hobart and William Smith Colleges, Geneva, N.Y. (13 July 2006)

"Traditional Japanese Architecture," for the Corning-Kakegawa Committee of the Sister Cities Association, Southeast Steuben County Library, Corning, N.Y. (8 January 2006)

"The Song Dynasty Courtesan's Performance of Desire: Subjectivity and Representation in Chinese Poetry and Painting," Singing Girls, Lesbian Courtesans, and Happy Hookers: Hidden Pleasures in China, India, and the United States, for the Thirteenth Berkshire Conference on the History of Women, Scripps College, Claremont, Calif. (2–5 June 2005)

Co-Chair (with Professor Roslyn Hammers, Whitman College), The Song Dynasty Beyond the Song: Its Legacy Within and Outside China, for the College Art Association 93rd Annual Conference, Atlanta, Ga. (16–19 February 2005)

"Reconfiguring Integrity: The Scholar's Image in Chinese Painting, Song to Ming," for the symposium New Research on Chinese Painting, University of Michigan Museum of Art, Ann Arbor, Mich. Invited speaker. (9 November 2002)

"Revisiting Han Xizai: Night Revels Reinterpreted by Artists of the People's Republic of China," for the panel Premodern Iconography and Contemporary Intervisuality of "China," The New York Conference on Asian Studies 2002 Annual Meeting, Skidmore College, Saratoga Springs, N.Y. (25–26 October 2002)

"Nature through the Eyes of Artists" (with Professor Michael Bogin), Environmental Studies Summer Youth Institute, Hobart and William Smith Colleges, Geneva, N.Y. (17 July 2002)

"Sexuality and Politics in Twelfth-Century Chinese Painting," Friday Faculty Lunch Series, Hobart and William Smith Colleges, Geneva, N.Y. (1 February 2002)

"The Traveling Man's Longing for One Left Behind: An Alternate Reading of the Lonely Woman in Song Dynasty Paintings," for the panel Pygmalion Revisited: Female Image as Male Self-Representation, 53rd Annual Meeting of the Association for Asian Studies, Chicago, Ill. (22–25 March 2001)

"Evoking Feelings (Qing) through Scenes (Jing): A Pictorial Strategy for Representing Longing in Song Paintings of Lonely Women," for the panel Women and/as Rhetorical Tropes in Chinese Poetic and Visual Cultural Productions, Han through Song, American Association for Chinese Studies 42nd Annual Conference, San Francisco, Calif. (27–29 October 2000)

"Lonely Women and the Absent Man: The Masculine Landscape as Metaphor in Song Dynasty Paintings of Women," for Panel VII-C, "Landscape Representation III," of the conference Gendered Landscapes: An Interdisciplinary Exploration of Past Place and Space, The Center for Studies in Landscape History, Pennsylvania State University, University Park, Pa. (29 May–1 June 1999)

"A Scholar-Painter's Appropriation of the Past: Rhetoric in the Southern Song Handscroll Pounding Cloth," for the panel "Reconfiguring the Past" of the graduate student conference Souvenir, Department of the History of Art, University of Michigan, Ann Arbor, Mich. (10 October 1998)

"Reveling in the Company of Courtesans: The (Mis)representation of Romance in a Song Dynasty Painting," for an interdisciplinary panel, Love and Sex/ Violence and Patriarchy: Critical Reflections on Gendered Representation, Institute for Research on Women and Gender, University of Michigan, Ann Arbor, Mich. (5 December 1997)



Awards & Fellowships
2020 Faculty Prize for Scholarship, Hobart and William Smith Colleges.
2020 Joseph Levenson Pre-1900 Book Prize (China), The Association for Asian Studies (for the book Song Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry).
2018– Lloyd Wright Professorship in Conservative Studies, Hobart & William Smith Colleges.
2003–13, 2016–18 Faculty Research Grant, Hobart & William Smith Colleges.
2016
Franklin R. Buchanan Prize for Asia Curriculum Materials, The Association for Asian Studies (for the co-authored textbook Asian Art).

2009–11 Freeman Asia Senior Colloquium Grant, Freeman Foundation.
2001 Women's Studies/ Rackham One-Term Dissertation Fellowship, University of Michigan.
2000–2001 Center for Chinese Studies Endowment Award, University of Michigan.
2000 Rackham Travel Grant, University of Michigan.
1999–2000 Rackham Merit Fellowship, University of Michigan.
1999 Rackham Travel Grant, University of Michigan.
1998 Freer Fellowship, Freer Gallery of Art, Smithsonian Institution.
1997 "Community of Scholars" Eight-Month Fellowship for Research on Women and Gender, Institute for Research on Women and Gender, University of Michigan.
1996–97 Center for Chinese Studies Endowment Award, University of Michigan.
1996–97 Center for Chinese Studies Peking-American School Fellowship in Traditional Chinese Studies, University of Michigan.
1994 Center for Chinese Studies Endowment Award, University of Michigan.
1993–94 National Taiwan Normal University Advanced Language Training Fellowship, Ministry of Education, Republic of China.
1993 Katherine Taylor Fellowship, Center for Chinese Studies, University of Michigan.
1992 Marvin Eisenberg Award for Outstanding Achievement in Graduate Studies, Department of the History of Art, University of Michigan.
1990–94 Rackham Merit Fellowship, University of Michigan.