ARTH 253. Buddhist Art & Architecture. Spring 2018.
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Professor Lara Blanchard |
tel: x3893
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Art & Architecture Department, 208 Houghton House |
Lectures: MWF 10:10-11:05am, 112 Houghton House
Course description:
Learning objectives:
Books:
Weekly schedule (please note: schedule may be subject to minor changes): INTRODUCTION TO MAINSTREAM BUDDHISM.
Jan. 19 (F). The early life of the historic Buddha.
Jan. 22 (M). Teachings of the historic Buddha and mainstream Buddhism.
Jan. 24 (W). Ancient Indian Buddhist art and aniconic art.
Jan. 26 (F). Stūpas at Bhārhut and Sāñcī.
Jan. 29 (M). Art and architecture from Amarāvati.
Jan. 31 (W). Early caitya halls at Bhāja, Karlī, and Ajānta.
Feb. 2 (F). Research in art history. Feb. 5 (M). Architecture and sculpture in Sri Lanka.
Feb. 7 (W). Burmese and Thai art and architecture.
THE DEVELOPMENT AND SPREAD OF MAHĀYĀNA BUDDHISM. Feb. 9 (F). Introduction to Mahāyāna Buddhism.
Feb. 12 (M). Kuṣāṇa period sculpture and royal patronage of Buddhism.
Feb. 14 (W). Gupta period sculpture from Mathurā and Sārnāth.
Feb. 16 (F). Mahāyāna caitya halls and murals at Ajānta.
Feb. 19 (M).The colossal Buddhas at Bamiyan.
Feb. 21 (W).Early art from the caves at Miran, Kizil, and Dunhuang.
Feb. 23 (F). Royal patronage and Buddhist icons at Yungang and Longmen grottoes.
Feb. 26 (M). The debate between Vimalakīrti and Mañjuśrī in Chinese art.
Feb. 28 (W). Chinese sculptures of Maitreya, Śākyamuni, and Amitābha.
Mar. 2 (F). Imperial patronage of Buddhist arts in China’s Tang dynasty.
Mar. 5 (M). Early Buddhist sculpture and architecture in Korea.
Mar. 7 (W). Architecture, sculpture, and painting at Horyūji.
Mar. 9 (F). Temples in Nara: Yakushiji and Tōdaiji.
Mar. 10 (Sat.). Field trip to the Johnson Museum of Art at Cornell University. Optional. Mar. 12 (M). Temples in Nara: Tōshōdaiji and Murōji.
Mar. 14 (W). Late Buddhist art in India.
Mar. 16 (F). Angkor temple complexes in Cambodia.
[Mar. 17–25, Spring Break] Mar. 26 (M). Bodhisattvas, arhats, and kings of hell in Chinese and Korean art.
THE DEVELOPMENT OF ESOTERIC BUDDHISM. Mar. 28 (W). A mandala in stone: Borobudur in Indonesia.
Mar. 30 (F). An esoteric temple in Kyōto: Tōji.
Apr. 2 (M). Early Nepalese Buddhist art and architecture.
Apr. 4 (W). Writing workshop. Apr. 6 (F). Alchi Monastery in Ladākh.
Apr. 9 (M). The arts of Sino-Tibetan Buddhism in Nepal, Tibet, and China.
Apr. 11 (W). Dalai Lamas and the arts in Tibet.
PURE LAND AND CHAN/ZEN BUDDHISM. Apr. 13 (F). The Phoenix Hall and Japanese images of the Western Pure Land.
Apr. 16 (M). Japanese paintings of hells, hungry ghosts, and death and decay.
Apr. 18 (W). Japanese images of Pure Land teachers.
Apr. 20 (F). Chan masters and Chinese painting in the Song through Qing dynasties.
Apr. 23 (M). Chan and Zen architecture.
Apr. 25 (W). Zen masters and Japanese painting in the Muromachi through Edo periods.
Apr. 27 (F). Two Kyōto gardens.
Apr. 30 (M). Conclusions. May 7 (M.). SECOND TEST due, 4:30pm.
Communications:
Attendance policy:
Course requirements: 1. Class participation (15%). This includes regular and punctual attendance (see Attendance policy above) and participating in discussions in class or on the Canvas discussion board. I grade participation daily, as follows: check-plus-plus (95) for thoughtful commentary in class or on the discussion board that is analytical in nature or synthesizes material from readings and/or other classes; check-plus (85) for speaking up in class or on the discussion board on a topic relevant to the course material (even to ask a question or to answer one of my questions incorrectly); check (75) for showing up to class but not speaking; check-minus (65) for not paying attention, coming in late, or being disruptive or disrespectful; zero (0) for not coming to class at all. 2. Response papers (15%). Throughout the semester you will write several 300–600-word papers responding to some of the assigned primary and secondary sources. More details to follow. 3. Research project (30%), with final paper due Monday, Apr. 23 and related assignments due earlier in the semester. In this project you will focus on a single Buddhist work of art or building. More details to follow. 4. First test (20%), due Wednesday, Mar. 14. This take-home test covers material from Friday, Jan. 19 through Monday, Mar. 5. 5. Second test (20%), due Monday, May 7, 4:30pm. This take-home test covers material from Friday, Mar. 9 through Monday, Apr. 30.
Format for written
work: 1. Type all work in a 12-point
font. You can submit written work via Canvas. Please upload a Microsoft Word document (.doc, .docx), Rich Text Format file (.rtf), or a Portable Document Format file (.pdf): these are the only formats that Canvas will accept. Alternatively, you can turn in a stapled hard copy, plus copies of any earlier drafts, to me during the class period. PLEASE NOTE: I do not accept papers via e-mail.
A note about cheating
and plagiarism: In accordance with the Colleges’ Principle of Academic Integrity and General Academic Regulations (http://www.hws.edu/catalogue/policies.aspx) and the Handbook of Community Standards (http://www.hws.edu/studentlife/pdf/community_standards.pdf), p. 15, I define cheating as giving or receiving assistance on any assignment for this course, including all paper assignments and tests, except as directly authorized by me. The Colleges define plagiarism as “the presentation or reproduction of ideas, words, or statements of another person as one’s own, without due acknowledgment.” In application, this means that in any written assignment, you need to cite your sources. When quoting directly from a text—say, five words or more in succession—you need to put those words in quotation marks and include a parenthetical reference or footnote citing the source. When rewriting a passage from a text in your own words, or including information from a text in your paper, you don’t need the quotation marks but you do still need the parenthetical reference or footnote. In addition, all sources that you cite need to be included in a list of works cited at the end of the assignment. If you don’t understand exactly what constitutes plagiarism, or how to use parenthetical references or footnotes, please ask me. I would prefer to explain what it is and how to avoid it before it happens rather than after.
Grading: I mark down three points for each calendar day that an assignment is late. If you think you will need an extension, you should talk to me as early as possible. My grading scale is as follows:
The Center for Teaching and Learning (CTL): I encourage you to explore these and other CTL resources designed to encourage your very best work. You can talk with me about these resources, visit the CTL office on the 2nd floor of the library to discuss options with the staff, or visit the CTL website at http://www.hws.edu/academics/ctl/index.aspx. The CTL resources of most use for this class include Teaching Fellows, Writing Fellows, and Study Mentors. CTL works with the Art & Architecture Department to offer one resource that will be essential to your learning in this course, the Art History Teaching Fellows. The Teaching Fellows are accomplished art history majors and minors who are paid to assist other students. They hold regular study hours Sunday–Thursday (I will post this term’s hours as soon as they are available). To get the most out of this resource, I recommend that all students in this course begin attending the Teaching Fellow hours next week and attend once or twice weekly (to study, to ask questions) throughout the semester.
Disability accommodations: Please direct questions about this process or Disability Services at HWS to Christen Davis, Coordinator of Disability Services, at ctl@hws.edu or x3351.
Websites: To use Canvas, log in with your campus username and password. Once you have logged in, you should see, at the left of the screen, a link for Courses you are enrolled in, as well as links for your Account, Dashboard, Calendar, Inbox, Commons, and Help. It is essential for you to get in the habit of logging into Canvas regularly, as one way I will communicate with the class is via Canvas announcements, and I will post assignments and other course materials there. If you click on the Account link and then on Settings, you can set up Canvas to notify your e-mail or your cell phone about recent activity. I strongly recommend that you set Canvas to send you notifications of announcements ASAP. For further assistance with Canvas, click on the Help link at the bottom left, and then on “Canvas Resources for Students.” You should look for the relatively short Quick Reference Guides (https://community.canvaslms.com/community/answers/guides/canvas-guide/getting-started/pages/student), the more thorough Canvas Student Guide (https://community.canvaslms.com/docs/DOC-10701), and—for visually oriented people—the Video Guide (https://community.canvaslms.com/community/answers/guides/video-guide). Alternatively, contact the Help Desk of Instructional Technology at x4357 or helpdesk@hws.edu. The Help Desk is located in the Library on the first floor in the Rosensweig Learning Commons and is staffed by students as follows: until 1:00am Sunday through Thursday, and until 11:00pm on Friday and Saturday. |