WMST 100-02. Introduction to Women's Studies. Fall 2016.
Professor Lara Blanchard
tel: x3893
Art & Architecture Department, 208 Houghton House

Lectures: MWF 9:05-10:00am, 112 Houghton House
Office hours: M 12:15-1:15pm, Th 10:00-11:30am, or by appointment, 208 Houghton House

 

Course description:
This course introduces the vast, complex, changing field of women’s studies. Students will be asked to become conversant with the history of feminism and women's movements (nationally and transnationally), to understand and theorize women and gender as categories of analysis, to think through differences that divide and unite, to reflect and move beyond individual experience and to connect feminism to everyday life. Students will be encouraged to raise their own questions about women, gender, feminism(s), modes of women's organizing, and the production of knowledge. While it is impossible to cover all pertinent topics in one semester, this course introduces various specific issues and histories that, taken together, highlight the complexity of Women's Studies as both scholarly endeavor and activist field. It addresses Goal 6 substantially (an intellectually grounded foundation for the understanding of differences and inequalities of gender, race, and class).

 

Learning objectives:
One objective is for students to gain practical skills useful in any humanistic discipline, including how to analyze texts, how to do research, and improved proficiency in writing. More conceptual learning objectives include understanding how women and gender as categories of analysis intersect with history, politics, religion, society, and culture.

 

Required books (all on reserve at the Library):

  • Freedman, Estelle B. No Turning Back: The History of Feminism and the Future of Women. New York: Ballantine Books, 2002.
  • Findlen, Barbara, ed. Listen Up: Voices from the Next Feminist Generation. New expanded ed. Emeryville, Calif.: Seal Press, 2001.
  • Satrapi, Marjane. Persepolis: The Story of a Childhood. New York: Pantheon Books, 2003.
  • Ehrenreich, Barbara, and Arlie Russell Hochschild, eds. Global Woman: Nannies, Maids, and Sex Workers in the New Economy. New York: Metropolitan Books/Henry Holt and Company, 2002.
  • Woolf, Virginia. A Room of One’s Own. Reprint. Orlando, Fl.: A Harvest Book, 1989.
  • Rankine, Claudia. Citizen: An American Lyric. Minneapolis, Minn.: Graywolf Press, 2014.

 

Weekly schedule:

DEFINING TERMS: WOMEN’S STUDIES, FEMINISM(S), PATRIARCHY, WOMEN'S RIGHTS.

Aug. 29 (M).    Overview of the course.

Aug. 31 (W).    What is women’s studies?

  • Jean Fox O’Barr, “The Necessity of Women’s Studies in a Liberal Arts Education,” in Feminism in Action: Building Institutions and Community through Women’s Studies (Chapel Hill: The University of North Carolina Press, 1994), 85–93.

Sept. 2 (F).       What is feminism?

Sept. 5 (M).      What is patriarchy?

Sept. 7 (W).     Virtue and patriarchy in different cultures: two case studies.

  • Patricia Buckley Ebrey, trans., “The Book of Filial Piety for Women Attributed to a Woman Née Zheng (ca. 730),” in Under Confucian Eyes: Writings on Gender in Chinese History, ed. Susan Mann and Yu–Yin Cheng (Berkeley, Los Angeles, and London: University of California Press, 2001), 47–69.
  • Pat Boone, “The Happy Home Corporation,” chapter 5 in ‘Twixt Twelve and Twenty (New York: Dell, 1960), 79–91.

Sept. 9 (F).       Women’s rights.

IDENTITY POLITICS: RACE AND ETHNICITY, RELIGION, NATION.

Sept. 12 (M).    Race and American feminism.

Sept. 14 (W).   Race and American feminism: women’s voices.

  • Sonja D. Curry-Johnson, “Weaving an Identity Tapestry,” in Findlen, Listen Up, 51–58.
  • Rankine, Citizen, I, 5–18.

Sept. 16 (F).     Race and sexual identity.

  • Cheryl Clarke, “Lesbianism: An Act of Resistance,” in This Bridge Called My Back: Writings by Radical Women of Color, ed. Cherrie Moraga and Gloria Anzaldúa (Watertown, Mass.: Persephone Press, 1981), 128–37.
  • JeeYeun Lee, “Beyond Bean Counting,” in Findlen, Listen Up, 67–73.

Sept. 19 (M).    International feminisms.

  • Freedman, “The Global Stage and the Politics of Location,” chapter 5 in No Turning Back, 95–119.
  • Gloria Anzaldúa, “Speaking in Tongues: A Letter to 3rd World Women Writers,” in Moraga and Anzaldúa, This Bridge Called My Back, 165–73.

Sept. 21 (W).   A case study in gender, religion, and identity: women’s rights in post-revolution Iran.

Sept. 23 (F).     Reflections on feminism, patriarchy, women’s rights, and identity politics.

WOMEN’S LABOR AND GLOBALIZATION.

Sept. 26 (M).    Domestic labor.

  • Freedman, “Never Done: Women’s Domestic Labor,” chapter 6 in No Turning Back, 123–44.
  • Barbara Ehrenreich, “Maid to Order,” in Ehrenreich and Hochschild, Global Woman, 85–103.

Sept. 28 (W).   Gender and economics.

Sept. 30 (F).     Gender, work, and family, part 1.

  • Freedman, “Workers and Mothers: Feminist Social Policies,” chapter 8 in No Turning Back, 170–99.
  • Susan Cheever, “The Nanny Dilemma,” in Ehrenreich and Hochschild, Global Woman, 31–38.

Oct. 3 (M).     Gender, work, and family, part 2.

  • Arlie Russell Hochschild, “Love and Gold,” in Ehrenreich and Hochschild, Global Woman, 15–30.
  • Pierrette Hondagneu-Sotelo, “Blowups and Other Unhappy Endings,” in Ehrenreich and Hochschild, Global Woman, 55–69.
  • SHORT RESEARCH REPORT: gender and work, part 2 due.

Oct. 5 (W).Migrant workers.

  • Nicole Constable, “Filipina Workers in Hong Kong Homes: Household Rules and Relations,” Ehrenreich and Hochschild, Global Woman, 115–41.
  • Joy M. Zarembka, “America’s Dirty Work: Migrant Maids and Modern-Day Slavery,” in Ehrenreich and Hochschild, Global Woman, 142–53.

Oct. 7 (F).Reflections on women’s labor.

[Fall Break, Oct. 8–11]

BODY POLITICS: HEALTH, BEAUTY, SPORTS, REPRODUCTION, SEX, VIOLENCE.

Oct. 12 (W).     Health and disability.

  • Freedman, “Medicine, Markets, and the Female Body,” chapter 9 in No Turning Back, 203–28.
  • Cheryl Green, “One Resilient Baby,” in Findlen, Listen Up, 272–80.

Oct. 14 (F).      Health and size: women’s voices.

  • Abra Fortune Chernik, “The Body Politic,” in Findlen, Listen Up, 103–11.
  • Nomy Lamm, “It’s a Big Fat Revolution,” in Findlen, Listen Up, 133–41.

Oct. 17 (M).     Beauty and race in America.

Oct. 19 (W).     Sports: women’s voices.

  • Sharon Lennon, “What Is Mine,” in Findlen, Listen Up, 212–22.
  • Rankine, Citizen, II, 23–37.

Oct. 21 (F).      Reproduction in the U.S.: history and policies.

Oct. 24 (M).     Reproduction: women’s voices.

  • Inga Muscio, “Abortion, Vacuum Cleaners and the Power Within,” in Findlen, Listen Up, 112–17.
  • Allison Crews, “And So I Chose,” in Findlen, Listen Up, 142–49.

Oct. 26 (W).     Sexuality and self-determination.

  • Freedman, “Sexualities, Identities, and Self-Determination,” chapter 11 in No Turning Back, 253–75.
  • Lisa Tiger, “Woman Who Clears the Way,” in Findlen, Listen Up, 153–64.

Oct. 28 (F).      Research and writing workshop.

Oct. 31 (M).     Sex-positive feminism: women’s voices.

  • Rebecca Walker, “Lusting for Freedom,” in Findlen, Listen Up, 19–24.
  • Lisa Palac, “How Dirty Pictures Changed My Life,” in Next: Young American Writers on the New Generation (New York and London: W. W. Norton & Company, 1994), 146–63.

Nov. 2 (W).     Sex work: two case studies.

  • Paul S. Ropp, “Ambiguous Images of Courtesan Culture in Late Imperial China,” in Writing Women in Late Imperial China, ed. Ellen Widmer and Kang-i Sun Chang (Stanford: Stanford University Press, 1997), 17–45.
  • Denise Brennan, “Selling Sex for Visas: Sex Tourism as a Stepping-stone to International Migration,” in Ehrenreich and Hochschild, Global Woman, 154–68.

Nov. 4 (F).       Gender and violence.

  • Freedman, “Gender and Violence,” chapter 12 in No Turning Back, 276–302.
  • Margaret Atwood, “Unpopular Gals,” in Good Bones and Simple Murders (New York: Nan A. Talese, 1994), 6–10.

Nov. 7 (M).      Film: Sut Jhally, dir., Killing Us Softly 4: Advertising’s Image of Women (Northampton, Mass.: Media Education Foundation, 2010).

Nov. 9 (W).     Rape.

  • Emilie Morgan, “Don’t Call Me a Survivor,’ in Findlen, Listen Up, 33–39.
  • Helen Benedict, “The Scandal of Military Rape,” Ms. Magazine (Fall 2008): 40–45.

Nov. 11 (F).     NO CLASS. Post reflections on body politics on Canvas discussion board.

WOMEN AND CREATIVITY.

Nov. 14 (M).    Creativity and feminism.

  • Freedman, “New Words and Images: Women’s Creativity as Feminist Practice,” chapter 13 in No Turning Back, 305–25.
  • Mary Gordon, “Foreword,” in Woolf, A Room of One’s Own, vii–xiv.

Nov. 16 (W).   Women as writers.

  • Woolf, A Room of One’s Own, 3–40.

Nov. 18 (F).     Women as visual artists.

Nov. 21 (M).    Women and music.

[Thanksgiving Recess, Nov. 23–27]

POLITICS AND ACTIVISM.

Nov. 28 (M).    Women and politics.

  • Freedman, “No Turning Back: Women and Politics,” chapter 14 in No Turning Back, 326–47.

Nov. 30 (W).   Hillary Clinton’s presidential campaign.

Dec. 2 (F).       Activism and empowerment.

Dec. 5 (M).      Citizen and politics.

  • Rankine, Citizen, VI, 81–135.

Dec. 7 (W).      Advocating for change.

  • Erica Gilbert-Levin, “Class Feminist,” in Findlen, Listen Up, 165–72.
  • Daisy Hernández, “Bringing Feminism a la Casa,” in Findlen, Listen Up, 209–11.

Dec. 9 (F).       Reflections on women, creativity, and activism.

Dec. 14 (W).    SECOND TEST due, 11:30am.


Course requirements:

1.         Class participation (15%). This includes regular and punctual attendance (see Attendance policy below) and participating in discussions in class or on the Canvas discussion board. I grade participation on a daily basis, as follows: check-plus-plus (95) for thoughtful commentary in class or on the discussion board that is analytical in nature or synthesizes material from readings and/or other classes; check-plus (85) for speaking up in class or on the discussion board on a topic relevant to the course material (even to ask a question or to answer one of my questions incorrectly); check (75) for showing up to class but not speaking; check-minus (65) for not paying attention or coming in late; zero (0) for not coming to class at all.

2.         Short research reports (20%). These should be 300–600 words in length. More details to follow.

3.         Response papers (15%). You will be required to attend and write responses to at least three (3) gender-related “events” (speakers, films, performances, actions, readings, etc.) before the end of the term. More details to follow.

4.         Research project (10%), due Wednesday, Nov. 30. In this project, you will expand on one of the short research reports, ending with a paper of 1500–1800 words. More details to follow.

5.         Quizzes (10%). Quizzes will be administered online, on Canvas. Missed quizzes cannot be made up.

6.         First test (15%), due Friday, Oct. 28. This is a take-home test covering material through Oct. 17.

7.         Second test (15%), due Wednesday, Dec. 14, 11:30am. This is a take-home test covering material from Oct. 19 through Dec. 9.

 

Communications:
I am happy to meet with you outside of class during my office hours (see top of syllabus), or at another time that is convenient for you, in 208 Houghton House. The best way to reach me to set up an appointment is by e-mail, but please note that I regularly read e-mail only between 9:00am and 4:30pm.
If I need to contact students, I generally will do so via HWS e-mail and Announcements on Canvas (see Websites below). You should develop the habit of checking both on a regular basis.

 

Attendance policy:
I consider attendance at lectures to be mandatory. That said, if you have a reasonable excuse for missing a class (including celebration of a religious holiday, athletic participation, a field trip for a different course, or illness), I expect you to notify me as soon as possible—preferably in advance—and to turn in a one-page essay on the topics covered on the day of your absence, ideally within a week. Not doing so will directly impact your participation grade. If you are absent four times or more, you should be prepared for me to notify the Deans about your performance. I will be taking attendance regularly.

 

Format for written work:
Please follow these guidelines when you write your papers and tests.

1. Type all work in a 12-point font.
2. Double-space.
3. Leave one-inch margins on all sides.
4. Number your pages.
5. Put your name and the date on the first page.
6. Check that your spelling, grammar, and punctuation are correct--these are crucial to effective communication of your ideas. Your grade will drop if you have excessive errors.
7. If you cite another source, you must use a.) parenthetical references or footnotes, and b.) a list of works cited. (See A note about cheating and plagiarism below.) Make sure that you follow an appropriate documentation style: I recommend Chicago-style, MLA, or APA.

You can submit written work via Canvas. Please upload a Microsoft Word document (.doc, .docx), Rich Text Format file (.rtf), or a Portable Document Format file (.pdf): these are the only formats that Canvas will accept. Alternatively, you can turn in a stapled hard copy during the class period. PLEASE NOTE: I do not accept papers via e-mail.

 

A note about cheating and plagiarism:
I will not tolerate any form of academic dishonesty. It destroys the trust that I have in you to do your best, it is unfair to the other students, and obviously you will not learn anything if you resort to cheating. If I find that you have cheated on a test or on a written assignment, you will receive a zero for the assignment and I will contact the Deans and/or the Committee on Standards about your case. If a case goes to the Committee on Standards, I follow the Committee's recommendation; if it also finds evidence of cheating or plagiarism, the recommendation is usually failure of the course at a minimum. See the Colleges’ Principle of Academic Integrity and General Academic Regulations (http://www.hws.edu/catalogue/policies.aspx) and the Handbook of Community Standards (http://www.hws.edu/studentlife/pdf/community_standards.pdf), pp. 38-40.

Now, just in case you are not clear about what plagiarism is: plagiarism is the use of someone else’s words or ideas without giving that person credit. In application, this means that in your writing assignments, you need to cite your sources. When quoting directly from a text—say, five words or more in succession—you need to put those words in quotation marks and include a parenthetical reference or footnote citing the source. When rewriting a passage from a text in your own words, you don’t need the quotation marks but you do still need the parenthetical reference or footnote. In addition, all sources that you cite need to be included in a list of works cited at the end of the assignment. If you don’t understand exactly what constitutes plagiarism, or how to use parenthetical references or footnotes, please ask me. I would prefer to explain what it is and how to avoid it before it happens rather than after.

 

Grading:
Tests, quizzes,and the research paper receive numerical grades. Class participation, response papers, short research reports, and make-up written assignments will receive a check-plus-plus (95), check-plus (85), check (75), check-minus (65), or zero (0). If you are unsatisfied with a grade, please prepare a written statement explaining what grade you think you should have received and why, and submit it to me along with the assignment for review.

I mark down three points for each calendar day that an assignment is late. If you think you will need an extension, you should talk to me as early as possible.

My grading scale is as follows:

 

 

A+  97-100

A  93-97

A-  90-93

 

 

B+  87-90

B  83-87

B-  80-83

 

 

C+  77-80

C  73-77

C-  70-73

 

 

D+  67-70

D  63-67

D-  60-63

 

 

 

F  0-60

 

 

The Center for Teaching and Learning (CTL):
At Hobart and William Smith Colleges, we encourage you to learn collaboratively and to seek the resources that will enable you to succeed. The Center for Teaching and Learning (CTL) is one of those resources: CTL programs and staff help you engage with your learning, accomplish the tasks before you, enhance your thinking and skills, and empower you to do your best. Resources at CTL are many: Teaching Fellows provide content support in 12 departments, Study Mentors help you find your time and manage your responsibilities, Writing Fellows help you think well on paper, Q Fellows support you in courses that require math, and professional staff help you assess academic needs.

I encourage you to explore these and other CTL resources designed to encourage your very best work. You can talk with me about these resources, visit the CTL office on the 2nd floor of the library to discuss options with the staff, or visit the CTL website at http://www.hws.edu/academics/ctl/index.aspx.

The CTL resources of most use for this class include Writing Fellows and Study Mentors. The CTL resource that will be most essential in enhancing learning in this course is the Writing Fellows program. Writing Fellows help students develop their writing by providing feedback on essay drafts, offering strategies for the writing process, and enhancing students’ understanding of what good college writing means. In this class, Writing Fellow assistance with our research paper will be extremely helpful to you, and I suggest that you make an appointment via the TutorTrac appointment system (https://tutortrac.hws.edu:444/tracweb40/default.html; link on the CTL webpage, too).

 

Disability accommodations:
If you are a student with a disability for which you may need accommodations, you should self-identify and register for services with the Coordinator of Disability Services in the Center for Teaching and Learning (CTL) and provide documentation of your disability. Disability-related accommodations and services generally will not be provided until the registration and documentation process is complete. The guidelines for documenting disabilities can be found at the following website: http://www.hws.edu/academics/ctl/disability_services.aspx.

Please direct questions about this process or Disability Services at HWS to David Silver, Coordinator of Disability Services (silver@hws.edu or x3351).

 

Websites:
There are two websites for this course: one at my homepage, http://people.hws.edu/blanchard/WMST100/; and one at Canvas, https://canvas.hws.edu/. This syllabus, written assignments, and links to online resources for women's studies can be found at both. The Canvas site also has a course calendar, daily handouts, discussions, and an online gradebook; I plan to post other relevant materialsthere as well.

To use Canvas, log in with your campus username and password. Once you have logged in, you should see, at the left of the screen, a link for Courses you are enrolled in, as well as links for your Account, Dashboard, Calendar, and Inbox. The link for Help should be at the bottom left of the screen.
                   
It is essential for you to get in the habit of logging into Canvas regularly, as one way I will communicate with the class is via Canvas announcements, and I will post assignments and other course materials there. If you click on the Account link and then on Settings, you can set up Canvas to notify your e-mail or your cell phone about recent activity. I strongly recommend that you set Canvas to send you notifications of announcements ASAP.

For further assistance with Canvas, click on the Help link at the top right, where “Search the Canvas Guides” is probably the most useful option. You should look for the relatively short Canvas Student Quickstart Guide (http://guides.instructure.com/m/8470), the more thorough Canvas Student Guide (http://guides.instructure.com/m/4212), and – for visually oriented people – the Canvas Video Guide (http://guides.instructure.com/m/4210). Alternatively, contact the Help Desk of Instructional Technology at x4357 or helpdesk@hws.edu. The Help Desk is located in the Library on the first floor in the Rosensweig Learning Commons and is staffed by students as follows: until 1:00am Sunday through Thursday, and until 11:00pm on Friday and Saturday,