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Digital Imaging The purpose of this course is to help you learn to use digital imaging
as a medium for the making of fine art. While computer-aided production
has revolutionized movie making, music making, architecture, and graphic
design, the use of computers to create fine art is relatively new and
under explored. One reason for this is that the technical possibilities
of digital media are so vast that they can be intimidating and inhibiting,
and some artists trained in making and looking at painting and sculpture
find working in a medium that appears less physical to be difficult. Furthermore,
the use of the computer as a tool in digital imaging creates a kind of
indirectness, an extra step between idea and output not unlike printmaking
and photography, which can focus a lot of attention on technique (i.e.
it must be "good/interesting/beautiful" if it's that hard to do). This,
the elevation of technique or style at the expense of investigation and
expression, is a problem in any medium. Therefore, in this course, we
will focus on digital imaging as a tool, a means of investigating fundamental
issues in two-dimensional visual art and a means of exploring self-expression.
The first section of the course will focus on deepening your understanding of formal concerns such as compositional structure, balance, movement, and the articulation of space through specific and narrow exercises. These exercises will involve nonobjective shapes, forms, and spaces that you create and manipulate using Adobe Photoshop's selection, drawing, painting, and layering tools. This will provide the context for learning the set of basic techniques you will need to get started in Photoshop. It will also provide us with an opportunity to experiment with and refine the analytical tools that you will need to communicate your insights to others and strengthen your work. The second section of the course will address more sophisticated techniques such as scanning, the digital camera, and using paths and channels, in projects where you have much more room to explore your own interests. At this stage, you will have the choice of working with imagery you generate in any way you choose, through drawing, painting, photography or anything else you can come up with. The final section of the course will leave you largely to your own devices, with only the expectation that you will explore your ideas thoroughly, give and take in critique, and push yourself. Course requirements and grading This course will be extremely demanding. The minimum requirements of
this course are that you come to class and work hard. As your success
will depend on how much practice and feedback you get, attendance is essential.
Therefore, there are no excused absences without a letter from the Dean's
Office. Missing class will dramatically affect your grade and you will
be dropped upon your third unexcused absence. There will be six to eight
hours of homework weekly. This is a substantial workload, and you should
be certain that you are prepared to keep up. Late homework will be penalized
one letter grade for each class it is late. You must attend the mid-term
and final critiques to pass the class, and late mid-terms and finals will
not be accepted. Homework, the mid-term, and the final will be weighted
at 40, 30, and 30 percent respectively. |
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